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	<title>Evening of Light &#187; the use of ashes</title>
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		<title>Review: The Use of Ashes &#8211; White Nights: Glowing Lights (2009)</title>
		<link>http://www.eveningoflight.nl/2009/11/17/review-the-use-of-ashes-white-nights-glowing-lights-2009/</link>
		<comments>http://www.eveningoflight.nl/2009/11/17/review-the-use-of-ashes-white-nights-glowing-lights-2009/#comments</comments>
		<pubDate>Tue, 17 Nov 2009 22:05:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[maarten scherrenburg]]></category>
		<category><![CDATA[peter van vliet]]></category>
		<category><![CDATA[simon van vliet]]></category>
		<category><![CDATA[the use of ashes]]></category>
		<category><![CDATA[tonefloat]]></category>

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		<description><![CDATA[<p style="text-align: justify;">artist: The Use of Ashes release: White Nights: Glowing Lights format: LP, CD year of release: 2009 label: tonefloat duration: 45:37</p> <p style="text-align: justify;">From Nijmegen in the Netherlands hails The Use of Ashes, a band consisting of the brothers Peter and Simon van Vliet, and Maarten Scherrenburg. The first two were active in [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;"><a href="http://www.eveningoflight.nl/wordpress/wp-content/uploads/2009/11/tuoa_wngl.jpg"><img class="alignright" title="tuoa_wngl" src="http://www.eveningoflight.nl/wordpress/wp-content/uploads/2009/11/tuoa_wngl-300x300.jpg" alt="tuoa_wngl" width="150" height="150" /></a>artist: <strong>The Use of Ashes<br />
</strong>release: <em>White Nights: Glowing Lights<br />
</em>format: LP, CD<br />
year of release: 2009<br />
label: tonefloat<br />
duration: 45:37</p>
<p style="text-align: justify;">From Nijmegen in the Netherlands hails <strong>The Use of Ashes</strong>, a band consisting of the brothers <strong>Peter </strong>and <strong>Simon van Vliet</strong>, and <strong>Maarten Scherrenburg</strong>. The first two were active in the early 80&#8242;s in the avantgarde wave band <strong>Mekanik Kommando</strong>. Their style has changed over the years though, and this latest album (second in the <em>White Nights</em> series) is firmly in the realm of psychedelic folk.</p>
<p style="text-align: justify;">For me, this album is somewhat of a mixed bag. The overall sound is rich and wonderful; a blend of folk with experimental and dronish parts, and above all a great ear for detail and sophisticated sound design. It reminds me perhaps perhaps most of <strong>Twelve Thousand Days</strong> in terms of style, though <strong>The Use of Ashes</strong> lacks the appeal of a unique and excellent vocalist like <strong>Martyn Bates</strong>. The is at least in part compensated for by the lavishness of the sound.</p>
<p style="text-align: justify;">The main turn-off for me, however, is that a number of tracks on <em>White Nights: Glowing Nights</em> (such as the opener and &#8220;Stranger in Paradise&#8221;) wax somewhat too sugary-sweet, expressed in the lyrics, vocals, and general atmosphere. It&#8217;s something of an acquired taste, perhaps, and part of artistic expression. It might not bother other people, but it doesn&#8217;t do much for me personally. What is clear to me, however, is that the band&#8217;s main strength lies in composition and sound design, rather than text or vocals. This can be heard in some of the highlight tracks like the excellent misty neofolk of &#8220;Falling from the Sky&#8221; or the folky drones of &#8220;9 Glowing Lights&#8221;.</p>
<p style="text-align: justify;">Altogether, <em>White Nights: Glowing Lights</em> is a pleasant album that fits neatly into the psych side of the <strong>tonefloat</strong> roster, with artists like <strong>Porcupine Tree</strong> and <strong>Sand Snowman</strong>. The spectre of <strong>Pink Floyd</strong> is ever present. If you&#8217;re open to a well-succeeded Dutch psych folk album with a bright and sweet atmosphere, this is well worth your attention. Personally, I can&#8217;t help but feel that it is a bit less interesting and original than the stuff that went on in the <strong>Mekanik Kommando</strong> days.</p>
<p style="text-align: justify;">Reviewed by <strong>O.S.</strong></p>
<p style="text-align: justify;">Tracklist:</p>
<p style="text-align: justify;">1. Morgenstern (The Umbrella Jigsaw Man) (2:26)<br />
2. Falling from the Sky (5:32)<br />
3. Stranger in Paradise (1:55)<br />
4. Forever Comes with the Morning (1:55)<br />
5. Zeit (1:14)<br />
6. Kiss the Light (2:10)<br />
7. Dark White Planet (2:43)<br />
8. Dongal Taleteller (Part 2) (1:04)<br />
9. White Night (0:31)<br />
10. King of the Moon (0:53)<br />
11. Lazy Daisy Day (3:07)<br />
12. Eidolon (Days Are Darker Nights) (4:53)<br />
13. The Sky-Cracked Children (0:58)<br />
14. The Prince With the Golden Hair (3:07)<br />
15. Stiller Berg (2:30)<br />
16. 9 Glowing Lights (7:35)<br />
17. White Dream (2:00)<br />
18. Endstille (1:04)</p>
<p style="text-align: justify;">
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