The third article in my series Walking the Planes has just been published over at The Ontological Geek. It’s about the Planescape setting and how its emphasis on diversity and plurality has affected me, both in discovering the setting as a teen, and nowadays. I’m not really sure yet what the next episode is going to be about, as I have multiple half-finished ideas bouncing around in my head. You’ll have to wait and see!
This one took a bit longer to write, but finally the second article in my planar series is out, in which I give an overview of the planes in the history of Dungeons & Dragons. Next time, I’ll be diving into Planescape properly for the first time.
As promised, my series about Planescape and the Planes in Dungeons & Dragons kicked off this month. The first instalment is only an introductory piece, in which I set out my ideas for the future of the series. Hopefully it will whet your interest; check back here or on The Ontological Geek soon for the second piece!
Since early last year, The Ontological Geek has been my main outlet for writing about games. The site is the brainchild of Bill Coberly, who stepped down as Editor in Chief this week because he’s going to law school. Congratulations, Bill! You can read his goodbye post here. Our new helmswoman is Hannah Duvoix, who has been a contributor to the site for a long time as well. She wrote some words of introduction as well.
Videogames can sometimes be a very arcane medium, and it can often be difficult to comprehend what they’re all about for people who never or seldom play them. Of course entertainment is often the main ‘use’ of a video game, but many of them have elaborate themes and stories, and the way in which video games deliver those narratives and themes is often unique to the medium. Today my own piece on Planescape: Torment was published, and I try to explain how the game uses exploration and conversation to allow you to reconstruct the protagonist’s tortured past.
What a chimera of a book this is. It has one foot in plain old fantasy, with quite a few battles, some spell-slinging, and a hero on a quest. The other foot is deep in myth. When I first read this book, around seven years ago, I didn’t quite get it. I was already quite familiar with Planescape, the Dungeons & Dragons setting that forms the backdrop for this novel. However, in the novel, I found little of the vast vistas and wide-eyed wonder that typified the setting for me. Instead, the book’s narrative is almost completely confined to a labyrinth, which offers only a few passing glimpses of all the imaginative places that make up the Planescape multiverse. However, upon a second reading and some brief reflection, I think I now see what Denning tried to do here.