The ugly, The bad, The good, The list™
My translation: Edith Södergran - “Framtidens skugga” (1920)
Although I already had a pretty positive opinion of Vance based on ‘Lyonesse’, ‘The Narrow Land’ surprised me with a couple of really good tales.
A personal piece about waking dreams, mysticism, and verticality in Scandinavian theatre and videogames. I discuss Henrik Ibsen’s The Master Builder and When We Dead Awaken, next to a special level from Nifflas’ Knytt Stories.
After a hiatus, we’re back with Ontological Geek podcasts again. This time, Aaron Gotzon and I had former editor-in-chief Bill Coberly and Amsel von Spreckelsen as guests, and our main topic was bodies as a locus of morality in games, particularly sections where control in taken away from bodies and they are destroyed in a spectacle, which at the same time is the outcome of a moral judgment, such as at the end of a duel, like in Mortal Kombat’s ‘finish hem/her’ sections. Besides that, we talk about Darren Korb’s music in Bastion and Transistor, and a variety of other games.
As promised, my series about Planescape and the Planes in Dungeons & Dragons kicked off this month. The first instalment is only an introductory piece, in which I set out my ideas for the future of the series. Hopefully it will whet your interest; check back here or on The Ontological Geek soon for the second piece!
I had been wanting to write something about Cameron Kunzelman’s little game On August 11, A Ship Sailed Into Port for some time now, but recently I sat down to do it and it turned into a vague textual and audiovisual meditation on death, choices, and getting by. It’s a bit of a loose, experimental column, but maybe you’ll enjoy it. Please do check out Kunzelman’s game, as it takes only five minutes, and if you’ve never seen Werner Herzog’s Nosferatu before, here’s your chance to see some scenes.
You have recently returned from paternity leave, and have witnessed the birth of your second son, on which again my congratulations! As you wrote on your own blog, you’d like nothing more from your readers as a gift than an open letter, so who am I to refuse?
After I finished reading the final draft version of your upcoming book, Chaos Ethics, somewhere last year, I wrote to you in an email that I thought it would be an interesting idea to start a letter series on the topic of Chaos, in the broadest sense. It is not something you touch upon extensively in your book—understandably so, since it is about ethics first and foremost—but knowing you slightly, I suspect you will have some additional things to say on the concept.
I wrote the introductory post for a new history blog founded by four colleagues/friends and myself. It’s about the Ribe cranium, an 8th century skull fragment with a runic inscription. The inscripion is (most likely) a healing spell to defeat a dwarven spirit causing illness, possibly a headache.
The article is part of an ongoing series “Runic Escapades”, in which I will present runic inscriptions in their cultural and historical context.
While reading Annalee Newitz’ intriguing blog post on io9 about the history of the word cyber, I came across the name Norbert Wiener (not Weiner — get it straight, you Englishers) who had introduced the term Cybernetics as “the study of control and communication in machines and living beings”. His other works include the book God and Golem, Inc.: A Comment on Certain Points Where Cybernetics Impinges on Religion, and that title immediately caught my eye. Studies of the interaction between science, technology, and religion always interest me a lot, as do Golems and Jewish folklore, so Wiener had sold it to me easily.