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Vincent van Gogh – Corridor in the Asylum (1899) On the second Ontological Geek podcast episode, Aaron and I are joined by Amsel von Spreckelsen and Rowan Noel Stokvis to discuss the portrayal of mental health asylums in videogames, as well as some other related topics. Among the games discussed are Amnesia: the Dark Descent, the Thief games, Batman: [...Read more...] 
With my fellow writer at The Ontological Geek, Aaron Gotzon, I’ve been working on setting up a regular podcast dedicated to games, with a particular focus on music and drama in games. Our first episode went up last month, and we’re aiming to make the podcast a regular feature. The first episode focuses on the music of composer Chris Christodoulou, specifically his soundtrack for the game Risk of Rain. We also discuss the musical trope generally known as the ‘one woman wail’ and deliberate a bit about where it came from and how it works. [...Read more...] 
I wrote the introductory post for a new history blog founded by four colleagues/friends and myself. It’s about the Ribe cranium, an 8th century skull fragment with a runic inscription. The inscripion is (most likely) a healing spell to defeat a dwarven spirit causing illness, possibly a headache. The article is part of an ongoing series “Runic Escapades”, in which I will present runic inscriptions in their cultural and historical context. [...Read more...] 
For The Ontological Geek, I wrote a short piece on different ways games can represent space exploration. I take a look at Star Control 2, MirrorMoon EP, Noctis, and Space Engine, and try to explain why the last two make me feel most at ease. [...Read more...] 
I recently interviewed composer Jessica Curry of videogame studio The Chinese Room about her music, its relation to (virtual) spaces, and her current work on the upcoming game Everybody’s Gone to the Rapture. Check out the interview over at Evening of Light. [...Read more...] 
On my way to work, early this morning, I read a newspaper article that made me very angry. I suppose it’s a culmination of pent-up frustration with what I feel is an increasingly openly xenophobic and racist climate dominating Dutch public discourse. This article was the last straw that made me decide to devote a [...Read more...] 
While reading Annalee Newitz’ intriguing blog post on io9 about the history of the word cyber, I came across the name Norbert Wiener (not Weiner — get it straight, you Englishers) who had introduced the term Cybernetics as “the study of control and communication in machines and living beings”. His other works include the book God and Golem, Inc.: A Comment on Certain Points Where Cybernetics Impinges on Religion, and that title immediately caught my eye. Studies of the interaction between science, technology, and religion always interest me a lot, as do Golems and Jewish folklore, so Wiener had sold it to me easily. [...Read more...] 
[From a friend who wishes to remain anonymous, I received the original version of the message below, which was picked up using radio observation of signals from outer space. For the reader’s convenience, I have rendered it in contemporary English, rather than the early modern English in which it was written.] Archive: Desbaresdes belt [...Read more...] 
My latest blog post on games is my third for The Ontological Geek, and my first as a regular contributor to that fine collective. In it, I explore some of the ways in which games can tap into the tools and trappings of the horror genre. I use the theory of art horror as posited by Noël Carroll and discuss how games can evoke fear and disgust in players, not just by using monsters, but also light, darkness, and spaces. The article is part of a series of articles on horror in games, and connects to many other recent and older writings on the genre, so there’s a lot to read. [...Read more...] 
Two recent indie release (Papers, Please and Gone Home) inspired me enough to pen a little article last week. Today the piece found a home on The Ontological Geek. In the article, I explore how Papers, Please simulates the way in which bureaucracies can force us to treat people like cattle, like numbers, like items on a list. Through insidious systems the player — inhabiting the mind of a border official — is forced to spend as little time on immigrants as possible, while still following all the rules imposed by your government. I contrast this to the experience of Gone Home, where we can take all the time we want to dig into the personal lives of an American family, and experience their touching stories. [...Read more...] |
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